Wednesday, September 18, 2013

iOS 7 - Advancing Photography for the Consumer

Holy Cow! Every year phone technology gets better. The apps, the call capabilities. Apple really struck one heck of a movement when it comes to really putting a lot of tools in the palm, literally the PALM of your hand! This has meant a lot of interesting things for industry professional. There are even "Photoshop" like apps that allow you to edit your photos and really create some compelling editing on the phone!

I was recently out with some friends who posed the question, "do you ever think that wedding photographers will become obsolete?" I really thought about it for a second and there are some great points to pay attention to here. You have a camera on your iPhone that can take 8MP photos and for most people who are posting just to their Facebook or creating a smaller than 8x10 print, that is more than enough! I remember the days when the camera I used for weddings and headshots as a young professional Santa Clarita photographer was 8MP! On top of that, these photo editing applications make things extremely easy to edit photos! CRAZY!

I looked at my friends dead in the eye and said I honestly see where you are going with this, however I don’t believe that wedding photographers will ever be replaced. Why? Think about all that you are paying for. It takes more than a good camera to take a good photo and those skills are something that you will never be able to learn in a day. It takes years of experience to really hone the skills necessary to be able to adjust your camera settings just by looking at a scene in a split second. Or to see the light in a scene and know just how to reposition your subject to get that right lighting, and framing, and composition. Knowledge is really what is missed out on.

So in an ever changing world where technology is becoming easier and easier to use, photographers appear to be less and less needed, but the truth is, the experience that you receive from a true professional completely outweighs the benefits of a nice phone. And THAT experience is the exact same reason that you hire a Santa Clarita photographer for your wedding, and your anniversary, and your maternity photos, and your family photos, and your life events, because life is worth more than just a simple phone photo. Life memories are worth capturing in their BEST light. So let's Shed Light....


Sorry... I just had to say it... My verbal jargon was on a roll!!! Cheers!

Wednesday, July 24, 2013

Which Lens Which Lens? | Photography Tips

So how is everyone’s summer going? Photographing a lot? GREAT! My wife, brother, and brother’s girlfriend recently went up to Lake Tahoe for a short vacation. It was so nice to get out of town. But not long enough! There are so many Lake Tahoe photography opportunities to capture that it was a shame we had to head back home for work.

This week, I thought that we would dive into a little camera lens selection. You will hear a lot of critics that say your equipment is only as good as your glass. This is true… sort of. Let me explain. If you have done any research on camera bodies, you might have thought at some point, wow, this Canon T2i looks like it has the same sensor and processor as the Canon 7D! And its half the price! While that is true, from a camera body perspective, you are forgoing the custom features when you go with a consumer level camera. What that statement really means though is that if you were to have the settings the same on both cameras, and you put the same lens on both, you will get the same image. However, the lens that you put on the camera plays a huge part.

If you have ever shopped for a Canon L series lens, you can be assured that your jaw will drop at some of the prices. Canon’s lenses are top of the line. They don’t get much better, but you can be assured that you are going to pay for it! That being said, there are several awesome options for 3rd party manufacturers that make some awesome lenses for a fraction of the cost. Sigma is definitely one of the leaders in my opinion for 3rd party manufacturers.

So what’s in your wallet? Or in this case your camera bag? I am a huge fan of fast lenses, that is, lenses with wide open apertures. I also get annoyed when my aperture auto adjusts itself when I zoom. So I am definitely an advocate of fixed aperture lenses. For what to buy, you need to look at what you shoot. As a Santa Clarita wedding photographer, you really need a wide variety of lenses. You definitely want to get a long zoom lens such as a 70-200mm lens for those intimate close-ups. I would also have a short zoom, such as a 24-70mm. And no matter what you shoot, EVERYONE can benefit from a trust ‘ol 50mm lens. It is a great all around lens for your kit.


If you have lens questions, don’t hesitate to ask!

Tuesday, July 9, 2013

iPhone Headshots! | How To Take Stellar Photos On An iPhone

Taking a Good Photo on a Budget

Let me preface this by letting you know that this article is geared towards business professionals. I happen to work with lawyers and attorneys and is astonishes me how little attention they give their professional headshot. One thing I always tell them is that if you are going to take a photo yourself, at least take a good one!

So you do realize that a good photo can be the difference between actually booking a client and not booking that client right? I figure that we should start there because this simple truth is the basis and foundation for this article.

Wednesday, June 26, 2013

Photography 101 - Composition

So you got the lighting just right? Did you remember your distancing? Where you using off camera flashes or not? Did you put the memory card in the camera? Did you happen to forget to take the lens cap off? Oh you did??

Don’t worry.

That one happens to me ALL the time. Seriously, at least once a shoot. I am not joking!

But if you have gotten all of those things taken care of, and your subject is actually in frame, then it is time to do your job as the wedding photographer and get that shot. Go on take it! Oh but be careful. Where is everything positioned in your camera? Is it where you want it to be given the mood you are attempting to achieve? If not, then…

Thursday, May 30, 2013

Photography 101 – Metering

Welcome back to the camera pen everyone! I hope you all had an AWESOME memorial day! I know I certainly did. Went to the beach with my wife and family and just relaxed…

Camera Metering Modes

But now it is back to business. This week I wanted to talk about a very interesting topic that I don’t think gets touched on a lot and that is Metering within the camera. Back in the days of film, you had to have a separate light meter to do the job. This light meter would ultimately take in the amount of light that was hitting your subject and spit out your shutter speed and aperture that you would need on your camera to give you an optimum exposure. A LOT has changed since then. These digital light meters are now built into the camera! If you are shooting on any kind of DSLR, then you have come into contact with the light meter.

Wednesday, May 15, 2013

Full Frame or Cropped?

What Camera Do I Buy?

So you have decided to take the plunge into this crazy game of photography, and the first thing on your mind is getting a killer camera. But with so many options, choosing the best one for you can be a daunting task! There are so many different avenues that I could go down with the different specs on cameras and comparing and contrasting particular models, but I will save that for another post. I want to focus this on 1 aspect you need to consider when looking at a camera: cropped or full-frame?

Monday, May 6, 2013

Photography 101 - What Is ISO?

What the Heck is ISO?

I’m glad you asked! Welcome back for this week’s lesson on ISO (or ASA as some of you older folk might know it as) and what a blessing or a curse this can be for your photography. In simple terms, ISO refers to the Film Speed. No not how fast your film runs or the frames that it takes per second. This is Film Speed.

Thursday, April 18, 2013

Photography 101 - Shutter

How does shutter work?

I have always enjoyed the intricacies of aperture and shutter speed when it comes down to your photographic elements. I like the math and the inverse nature that two completely opposite components can go hand in hand together to make something magnificent.

Welcome to this week’s Photograph 101 episode from your friendly Santa Clarita Wedding Photographer on the topic of shutter speed.

Thursday, April 11, 2013

Why Are Photographers So Expensive?

For those of you that don’t know, I was an aspiring actor and model at one point. Seriously! That was my pursuant. I used to go on auditions all the time, walk the big studio lot, get rejected for parts, and even get cast in parts. Although I still dabble in the acting realm from time to time, my focus has obviously switched. I found a second love, another passion behind the camera. This switch occurred when I was looking for a good headshot photographer. I looked high and low, far and wide. I found some amazing ones and I found some… well… not so amazing ones. And with every photographer I looked at, I had the same thought to myself: I can do that.

Saturday, March 30, 2013

Photography 101- F-Stop and Aperture

F-Stop and Aperture

How was your week? Good? Any good stories to tell? Please, do tell! Post them below.

So for the next two sessions, I want to go over two of the most important factors that have ever been presented to the photography industry. F-stop (Aperture) and Shutter speed. These are the bread and butter that dictate the kind of image that you are going to get! Knowing how to operate these factors efficiently can be the difference between “a” shot and “THE” shot. They work hand in hand, much like a marriage, to produce the product. A+B=C. You can’t have one without the other. No I may end up diving into some mathematical terms during my talk on these subjects. So first, a math joke…

Now on to Aperture!

An image is created through light. Light illuminates everything around us. Without light, we would not be able to see all of the beauty that God has blessed this world with. Photography is our way of capturing that beauty. But this would be impossible without light. One of the best ways to start off describing aperture to by comparing it to an eye. Think of your pupil. Think about how you squint when it is bright out. If you are reading this with someone, go in a room and turn out the lights while looking at each other. Wait 5 seconds, then turn them back on while watching the other’s pupils. Did you see how they adjusted?

Aperture works the same way. In terms of photography, aperture is the mechanism that determines how much light to let in when exposing a photograph. One of the things to get used to is the fact that a lot of the factors of photography are inversely related. Aperture definitely follows suit to that. The more light the aperture lets in, the lower the f-stop. Inversely, the less light the aperture lets in, the higher the f-stop. Think of Aperture as a hole. The smaller the hole, the less amount of light is let in. when would you not want a lot of light to pass through your camera? Think logically. When there is too much of it. Think about when you flip that light switch back on. What happened to your pupil size? It shrank.

In terms of aperture numbers, when the hole is smaller, the number is bigger. Again, think inversely. When we want more light in, the hole gets bigger, the aperture number gets smaller. In relation to the shutter speed, the more light that is let in, the faster the shutter speed has to be. The less amount of light that is let in, the slower the shutter speed has to be. If you have a low F-Stop like 2.8, then you are going to want a fast shutter speed such as 1/250. When you have a larger F-Stop such as 22, you are going to want a much slower shutter speed such as 1/30. But we will focus more on shutter speed next time. For now back to aperture.

Ok! Welcome back. Let’s take a look at the mathematical equation for aperture.

This equation represents 3 variables. The F-number is represented by N, f is the focal length, and D is the diameter of the entrance hole. The vast majority of lenses have the ability to adjust the hole, as seen in the photo above, by means of a diaphragm. This diaphragm “stops” up or down to adjust the amount of light that you need per the exposure that you want.

GREAT. Now we that we are up to speed on what a F-stop actually is, how does this benefit our photos?

I’m glad that you asked that young wonderer.

Have you ever looked at a rock, or a flower really close? What happens to everything else while you focus on that rock? If goes OUT of focus correct? This is a phenomena known as Depth-of-Field (DOF), of which there are two types. Shallow and Deep. DOF refers to the distance of focus in an image. This focal distance is very useful in separating a subject from its background or putting everything in focus for more emphasis on environment. The lower the f number, the more shallow the DOF, inversely, the larger the f number, the deeper the DOF. Selective focus, or bokeh as its referred to in film, is a useful tool in story telling through your photography. This can also be applied to portraiture and macro photography. A deep DOF where everything is in focus is helpful in things like landscape photography and astrophotography.

Here, let me clear it up a little better through some pictures.

Notice how everything is in focus. This type of photography is really helpful when we are looking to have multiple points of interest. We find this style namely in landscape photography.

Notice how the background is blurred and out of focus. When used appropriately, bokeh can give us a beautiful effect isolating the focus to one subject. This is particularly useful when we want our viewer to focus on just one portion of the picture. Typically, we find this in portraiture. It is often used to create drama to a scene and give it some life and purpose.

Make sense? Another thing that aperture affects is the sharpness of the image. Modern lenses are typically most sharp when the f-number is between f/5.6-f/8. This is definitely something to consider when shooting. Being a portrait photographer, as well as a cinematic filmmaker, I am a huge fan of shallow DOF. But that is not without its troubles. It can be difficult to focus manually the shallower (lower f-number) the focus is, due to the fact that the focal plane is so small.

So that about wraps it up! Welcome to the wonderful worlds of Aperture! Next time, we are going to tackle Shutter Speed, so be prepared for some stop-go motion!

Till next time!


Josh D. Smith